Loadbang is a New York City-based new music chamber group. Since their founding in 2008, they have been praised as ‘cultivated’ by The New Yorker, ‘an extra-cool new music group’ and ‘exhilarating’ by the Baltimore Sun, ‘inventive’ by the New York Times and called a 'formidable new-music force' by TimeOutNY. Loadbang will premiere my work "Dyson Poems" at The National Opera Center on May 2nd alongside works by Per Bloland, Christina Green, Angelica Negron, Gary Philom, and Beth Weimann.
"Fields" performed in Barcelona's "Festival Mixtur"
Fields will be performed by Mark Knoop and Serge Vuille. Mixtur is a collective that has been founded in Barcelona in 2012 with the aim of contributing to the process of creating, teaching and more extensively distributing contemporary music and sound art intertwined with the science of sound itself and the creative arts.
"There's no one here to help you"
An immersive electronic score to the 1999 horror film “The Blair Witch Project”, featuring text and readings by Cole Hager.
"Fields" performed throughout London by the Riot Ensemble
The Riot Ensemble connects people to great contemporary music in concerts and events that are just as innovative, vibrant and rewarding as the music itself. They put on events in venues ranging from the concert hall, to London’s parks, to YouTube.
"Atolls" - for Solo Piccolo and 29 Spatialized Piccolos
Laura Cocks and I spent January at CIRM in Nice putting together a beautiful multitrack recording of ATOLLS. Excited to share this incredible performance!
Drop - for String Octet and Strobe Lights (2015)
A new work for the JACK and MIVOS quartets,
A very stellar performance of “drop” for string octet and strobe lights
drop - for string octet and strobe lights (2015)
In the novel Agapē Agape, William Gaddis’ interpretation of late capitalism is grounded in the growing resemblance between art and commerce, both of which appeared to him to be thoroughly mechanized. If the juxtaposition of terms, Agapē Agape, suggests the “wholeness” of the prior, collapsing into the latter, then “Drop” explores this deepening gap; it also refers to the dramatic formal device employed in many genres of popular electronic dance music.