chroma

Chroma explores subtle gradients of instrumental color, along with the malleability and reflective qualities of metal. Through this exercise in “sonic metallurgy,” materiality emerges as a central theme. Constructed from minimal material, the composition maximizes the impact of unisons and canonic phrases, creating depth and movement around these speculative sonic objects. Additionally, various forms of microtonality are employed throughout the piece, acting as a filter to imbue the material with expressive and reflective properties. While working with these abstract, elusive metallic textures, I was reminded of an enigmatic character from one of my favorite novels, Hyperion by Dan Simmons. The character, known as The Shrike, is a metallic deity covered in thorn-like protrusions and is associated with themes of transcendence, destiny, and confronting the unknown. As a result, Chroma also evokes a sense of foreboding and intrigue, mirroring the ferocity and otherworldly allure of this metallic deity.

flute, english horn, clarinet, alto saxophone, horn, two percussionists,
harp, piano, string quartet (two violins, viola, cello)

Grossman Ensemble
Jeffery Meyer, conductor
Christopher L. Willis, recording
Mike Grittani, video production