WORK

(2024)

american city
(for string quartet and electronics)
for Mivos Quartet (Commissioned by the Fromm Music Foundation at Harvard University)

hinterlands
(for flute, clarinet, viola, electronic guitar, and electronics)
for lovemusic (Commissioned by Commisionied by SWR / Donaueschinger Musiktage 2024)

chroma
(for flute, english horn, clarinet, alto saxophone, horn, two percussionists, harp, piano, string quartet)
for Grossman Ensemble

fm life
(for three MIDI drum pads, fm synthesis, and lights)
for Line Upon Line

(2023)

wire hums
(solo album for physically modeled cello)
composed/produced by David Bird

hypochondriac
(for two performers, interactive electronics, and lights)
for Beyond This Point

(2022)

the ambition of ghosts
(double concerto for violin, viola, string orchestra, and radios)
for andPlay

dimvoid
(for violin and electronics)
for Adrianne Munden-Dixon

(2021)

the divided self
(for voice and electronics)
for Eleonora Claps

scatter
(interactive sound map, music for flute, piano, and electronics)
for Duo Axis, Design by Myles Emmons, Development by Devin Frenze

iron orchid
(album-length work for piano and electronics)
for Ning Yu

cove
(for flute, bass clarinet, and cello)
for lovemusic collective

(2020)

mirrors
(solo album for layered voice)
performed/produced by David Bird

what glows is fuchsia
(audio/visual work for ensemble)
for lovemusic collective

dark ethnography
(for 4 Modified MIDI Flashlights, Cello, and Electronics)
for Ensemble Vortex

(2019)

how to
(for flute, saxophone, violin, synth, drums, and video)
for ensemble soundinitiative

into the blue
(video installation for flatscreen televisions and massage chairs)
for Qubit’s “Unwellness Center”

echo chamber
(for piano and multichannel sound sculpture)
for Ning Yu, collaboration with Ning Yu and Mark Reigelman

moln
(for solo bass flute, bass clarinet, string quartet, percussion, and multi-channel electronics)
for Laura Cocks + Talea Ensemble

(2018)

bellona
(for large ensemble / sinfonietta)
For wildUp

lonelyhearts
(chamber opera for actor, flute, clarinet, violin, percussion, and electronics) 
for TAK ensemble

house of wires
(for flute, saxophone, violin, cello, contrabass, and electronic sounds) 
for International Contemporary Ensemble (ICE)

(2017)

decoder
(for MIDI drum pads, projections, and electronic sounds)
for Eklekto Percussion

apocrypha
(for violin, viola, and 8 channel electronics)
for andPlay

contraform
(for violin, lights, and electronics)
for Sarah Saviet

spatia
(for cellist in reverberant space)
for Helen Newby

thresholds
(for string trio, percussion, and video)
for Tenth Intervention

(2016)

multiplicities
(for indefinitely multi-tracked bass flute)
for Laura Cocks

simulationism
(for bass flute, bass clarinet, string quartet, percussion, piano, and video)
for Oerknal!

dyson poems
(for baritone, trumpet, clarinet, and trombone)
for loadbang

(2015)

mediums
(for two percussionists, two pianists, and video)
for Yarn/Wire

drop
(for string octet and strobe lights) 
for the Jack Quartet and Mivos Quartet

(2014)

commercial vignette
(for organ and video) 
for David Broome

how to build a_bomb
(for 8 singers, string quartet, bass clarinet, and trombone) 
for AuditivVokal Dresden and Ensemble Moto Perpetuo

pluck.divide.cut
(for flute, bass clarinet, horn/bassoon, violin, viola, and violoncello) 
for the Ensemble Intercontemporain and Chartreuse Trio

(2013)

flatland
(for flute, clarinet, violin, viola, violoncello, percussion, and piano) 
for the Talea Ensemble

saloon wars
(for four disklaviers and electronics) 

scintilla
(for violin, strobe light, and electronic sound) 
for Marina Kifferstein

atolls
(for solo piccolo and 29 spatialized piccolos) 
for Laura Cocks

bezier
(for violin and viola) 
for andPlay

forgery #24
(for violin and video) 
for Marina Kifferstein

series imposture
(for voice, flute, clarinet, and percussion) 
for the TAK ensemble

(2012)

eightoh8
(for piano and drumset) 
for Christian Smith and Chris Goddard

veil//akousmatikoi
(for flute, voice, and electronics) 
for Laura Cocks and Sara Perez

(2011)

squeem
(for oboe and cassette tape player) 
for Pablo Moreno and Eugene Kim

(2010)

electric resist
(for violoncello and electronics) 

fields
(for two spatialized percussionists)